For fifty years, Willy Holt was silent. He wanted to live, to have a family : he needed to forget. In 1995, however, this famous art director decided to pass on his memory through the story of his deportation.

A 1916 Joker Comedy starring Lillian Peacock

Fred J. Johnson scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are burying a murder victim. Then begins a series of events in which he is hounded and threatened by the killers. The consequences of his not reporting what he saw to the police lead to a climax in which is daughter is held hostage by the crooks.

Lavinia, a single mother trying to make a better life on her own terms for herself and her 13-year-old son, live in a poor Romanian village. She is impulsive, prone to misreading situations, and not sure how to love. But her son, on the threshold between childhood and adolescence, needs his mother more than ever, and over the course of four seasons their relationship is put to the test.

暂无剧情简介

The works of today's most revered talents are set against a provocative, highly amusing commentary track in this celebration of queer art.

Jiyoon teaches how to ‘see the object properly’ during her acting lesson. But her life is full of things she can’t see properly.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

In all my years of doing press, I've been repeatedly asked about the white gaze. Rarely have I been set upon about the Black gaze; or the gaze distilled. This is an answer to a question rarely asked.

Żywy portret trojga queerowych przyjaciół, którzy próbują odnaleźć się w wirze współczesnej polityki genderowej. Film płynnie przechodzi przez serię przeplatających się winiet – z Internetu do realu, z lumpeksu przez parkiet do bezpiecznego, inkluzywnego ciepła łaźni. Historie te utkane są ze szczerych rozmów i refleksji, ubranych w cięte dialogi oraz wewnętrzne monologi. Mozaika współczesnych spostrzeżeń, podaną w bezkompromisowym, queerowym dialekcie: »złośliwość, plotki, zabawa, wrażliwość, melancholia, poezja, ból«